4 Best Books Written on Pest Control – 2019 Edition

Pest control is one of the most discussed topics today and has been for decades. Pests such as rodents and insects carry diseases and can be very harmful to human health. They can infest your kitchen and bedrooms and can also cause structural damage. You need to get rid of drain flies, squirrels, fire ants, and other pests to keep yourself and your pets safe.

Protecting humans and animal from pests is of extreme importance and a lot of research has been done on it. Many researchers have published their research papers; some have written books on it intending to provide a complete guide to the public. 

Below is a list of best books written on Pest Control or Pest Management:

  • Integrated Pest Management (1st Edition)

The book, written by Dharam Abrol is based on current concepts and ecological perspective. In this book, he has explained effective measures to control and deal with pests. Unlike some other authors, he has presented a modern way of dealing with pests i.e. biotechnology. He has highlighted how the debate over producing health and environment-friendly pest control products has resulted in the removal of harmful chemicals from the products. He has explained how these less-toxic products are being made a part of biological control systems and how they can help in getting rid of pests. 

This book has 576 pages and you can buy it online for around $70.

If you don’t want to go through a whole book and are looking for quick learning and quick solutions then pestwiki.com is your best source for it. We have given the link to their website: www.pestwiki.com

  • Pest Control Strategies (1st Edition)

The editor for this book is Edward H. Smith. This book includes research papers presented at a symposium held at Cornell University in 1977. It discusses various issues and aspects of pest management. The book explains how effective are the pesticides and how harmful they are for the environment and human health. The book is dividing into four sections and each section is important in understanding the basics of pest control and the role of different stakeholders. In the first section, you will learn about what role USDA (U.S Department of Agriculture plays in pest control) and its policies, research, and programs.  You will also learn what new initiatives USDA is planning to take. The second section is about learning the complexity of pest management. It discusses pest management from a biological point of view, explaining the history and evolution of pest control systems. You will also learn about the earliest methods used for pest control as well as the legal aspects of pest control. This section also includes the case studies of pest management. The last section discusses obstacles and incentives. It explains the current status, the urgent needs, and prospects of pest management. It also defines what’s a pest control problem and how can you place it. 

The book is composed of 350 pages and you can purchase it online for around $50.

If you don’t want to go through a whole book and are looking for quick learning and quick solutions then pestwiki.com is your best source for it. We have given the link to their website: www.pestwiki.com

  • Plant Pest and their Control

This book is written by Peter G. Fenemore and it was published in 1983. The book is composed of 13 chapters and covers all the basics, application, and challenges involved with pest control. The first 6 chapters are related to entomology and discuss its various aspects. They talk about insects, their species, variety of habitats and the reason for insects’ success. These chapters also discuss the importance of insects i.e. their benefits and harms. Their structure and function are also discussed in these chapters. You will also learn about their life cycle, growth and development, and how they reproduce. Chapter 7 discusses mites and other non-pest insects. It talks in detail about their features, types, functions, and life cycles. Chapter 8 discusses the relationship between insect and plants. Chapter 9 discusses parasites, predators, and pathogens in detail. Rests of the chapter are focused on pest control background, principals, practices, and concept.

The Book has a total of 294 pages and you can buy it online for around $51.

If you don’t want to go through a whole book and are looking for quick learning and quick solutions then pestwiki.com is your best source for it. We have given the link to their website: www.pestwiki.com

  • Genetic Control of Insect Pests (1st Edition)

This book is written by G Davidson and focuses on genetic methods of controlling insect pests. The book is composed of 9 chapters. Chapter 1 gives you a detailed introduction whereas chapter 2 discusses the principals involved in sterile insect technique. Chapter 3 talks about livestock pests, agriculture pests, public health pests, and radiation resistance. Chapter 4 and 5 talk about chemosterilants and hybrid sterility respectively. Chapter 6 and 7 include a detailed discussion on cytoplasmic incompatibility and translocations. Chapter 8 explains other methods of genetic control and lethal factors. Chapter 9 just includes a summary and conclusion.

The book has a total of 168 pages and you can buy it online for around $22.  

If you don’t want to go through a whole book and are looking for quick learning and quick solutions then pestwiki.com is your best source for it. We have given the link to their website: www.pestwiki.com

Beginners Guide To Archery (Archery 101)

Whether you want to learn archery for sport, as a hobby, for hunting or are just generally curious then you are at the right place. Unlike many other sports which require big initial investments shooting your first arrow is not hard. Just head to an archery store and you will be on your way to enjoying a fascinating sport. 

With this in mind, best4.reviews has put together a guide that will break down the complexities of archery and introduce you to the sport step by step. The article follows a two-fold procedure that begins with a preparation stage and then the practical stage. It provides the basic information you will need as a novel archer. Contact them from Facebook if you need their suggestions.

Preparation Stage: Equipment Needed

The Bow 

There are three main types of bows. They include the recurve bows, compound bows and the traditional long bow. Recurve bows have a sleek, ‘s’ shaped, graceful design and they’re mostly used for target shooting, Compound bows have several wheels to provide a pulley system and are suitable for hunting as they are fast. 

We recommend the recurve bow for beginners as it has a less steep learning curve. Nevertheless, don’t be tied down to our recommendation. Whichever bow feels most comfortable for you is best. Keep in mind though that the perfect bow should be commensurate to your weight and height. For more information, visit your local archery store. 


When it comes to arrows, they should have at least three fletchings or feathers, two of a similar color and one of a different one. This is to assist you to position your arrow right. The back of your arrow  should have a spit ending or a nock where the arrow will sit on the bow string.

Supplementary Equipment 

Although a bow and arrow is all you need to learn archery, your archery kit isn’t really complete with the following gear; a stringer, an arm guard, finger tabs, a quiver and a release for a compound bow. 


There is no dress code for archery. As a rule of thumb though, you should wear clothes that don’t restrict your range of motion, especially for your upper body. If you have long hair you might have to tie it so as to avoid distracting you and obstructing your target. Moreover, hair can get tangled in the string which can be quite painful!

Athletic shoes are the best for beginners, for stability and stance, however once you become a pro you could pull off archery in heels for the ladies!

The Basics of Shooting


The basic ‘square’ stance is used by all trainers for beginning archers. Stand with your feet slightly apart, shoulder width apart with one foot an inch ahead of the front foot. Toes should be turned very slightly away from the shooting line, an angle of 90 degrees to your target. You must not bend your knees and waist Similarly you must keep must not lean. Keep a straight back. Only your arms and your head turn to face the target. 


When loading you arrow to the bow, the single colored feather should be close to you and face away from your bow. Place the nock of the arrow to your bow string and push until you hear a click sound, this signifies that your arrow is locked. Your index finger should be positioned above the arrow and then two fingers below the arrow. This way, the arrow will be kept a little steadier.


If you’re practicing shooting arrows for the first time, you’re going to be a little nervous, but you should try to be relaxed and confident. With your non-dominant hand, hold the bow. Your grip must be relatively relaxed. One of the biggest mistakes many beginners make is gripping the bow too tight, and this may impact your accuracy as you aim. 

To draw the bow, you need to point it toward the target with your dominant hand pulling back on the bowstring. Pull the bowstring towards your face ensuring the actual bow does not move. The bowstring should be fully drawn to the anchor point. The anchor point is the side of your face with your index finger touching the side of your mouth. This will help ensure that your aiming eye will be aligned with the bowstring, helping to improve accuracy within the shot. 

Once you have achieved your anchor point the next step is to aim at your target. This is generally using your eye. Aim slightly lower from your target to hit your target because most arrows are curved upward.

At this point you will release the arrow. While doing this you should not move, try as much as possible to be stable. Slight movements such as a flinch can cause your arrow to flight away from your intended target.

We Hope the guide above will be useful. It is not as complicated to start archery as it sounds. With these steps, time and practice it should give you a good starting point. 

Different Types of Portfolio Books and Their Importance

A portfolio is a case that carries documents or drawing.  It is also defined as pieces of creative works that are intended to be shown to a potential employer. In business terms, it is the securities held by organizations or investor. In these articles, we will not delve on the business portfolio but rather portfolio carried by students, models, and photographers.

The big question is, which is better between portfolio book and portfolio website? Printed work is more memorable than work on screens. It also creates a significant impact in a visual sense, paper feel and manipulation. Since most artists first work on a paper before digitizing their work, it is shrewd to organize their best work in a portfolio. The drawbacks of a printed portfolio are that it has a limited audience, inconvenient to carry around and require a constant visit to the print shops.

Nowadays, it is expected that top-notch artists, models and photographers have a portfolio website. One thing is that a website is flexible and ubiquitous. It fits in a pocket, and you can carry it with you if you can fit your Smartphone in the pocket. Making websites today is very simple; you don’t even require a programmer or web designer. On the downside, it is less impactful, and you will also have to learn online marketing and SEO technique to promote it.

Portfolio as a Book

A good portfolio is like reading a good book of poems. One of the missing links, especially in art school, regarding portfolio is the lack of direction in regards student portfolio. Sometimes even professional are at loss on how to present their work. It follows that without portfolio preparation courses, students and professionals are usually left unaware of what the clients are interested in seeing.

The standard portfolios are the black vinyl with double handles, acetate covers and black fill pages. The leather, plastic, or metal portfolio cases have a business like an appearance.

It is imperative to know that a portfolio book is not having printed samples embedded on the black pages. Presenting samples this way is not only sloppy, but it fails to tell your story. The book tells your career and presents your brand. Ensure you design a book. Creating your own portfolio case or book calls for quality prints. Using sloppy designers will only get you sloppy books, both print and digital. You may want to have printed designs because they not only show your work, but it is also good for leaving a copy behind.

It is prudent that you customize your portfolio for the job you are applying for. This means that you should get illustrations and designs that match a specific company and what it engages in. This call for thorough research on your part in regards to the company services and clients. Ensure you present your best work.

Portfolio Materials

Having a professional, a custom portfolio can alleviate your work and impress clients. There are myriad of book portfolio materials options. You can choose permutations and combinations that suit your design.

Custom acrylic portfolio book

Most popular acrylic materials come in matte black, blue and glossy white.  Portfolio books made of concrete and marble are also great choices. White acrylic portfolio with graphic design allows flexibility in treatments you want to use. White acrylic is great if you wish to  include a metallic color fill, multi-colored design and minimalistic design.

Matte Black Acrylic

This material has a shiny interior and exterior. It is also versatile and very easy to clean. This portfolio books are popular with photographers, architects, and graphic designers. Matte lack acrylic portfolio books do not leave fingerprints.

Frosted Clear Acrylic

Frosted Clear acrylic portfolio book is semi-transparent and comes with engraved color treatment. What’s makes this material unique is that it can be a UV cured and printed in any pattern, image, and design. It is more like creating your own colored or patterned book. It is a popular choice for designers and photographers.

Marble acrylic

This is one of the best materials for portfolio books.  It blends the beautiful patterns of marble and light features of acrylic. These portfolio books interest interior designers, photographers, and fashion designer.

Caramel and amber Bamboo

If you are looking for a natural and suitable material, then amber and caramel are suitable for you. It has a great appearance with cutout or engraving treatment. Caramel and bamboo portfolio books are suitable for an interior designer and food photographers.

Brushed Aluminum

Brushed aluminum is not only the light, but also comes with a polished and modern look. It works perfectly well with full UV prints, cutouts and larger engravings. Silver burnishing makes it more elegant thanks you the silver appearance. It is a great choice if you have light materials.

Names Disguised By Betsy Fagin Review

Poetry is inspiring, fun, potent, and more importantly, good for the soul. And what is a better poem than one which rarely uses names, or better still, people with names are hard to come by? Names Disguised is a collection of poems, well curate in sections and feature the issues of urbanization and space. The title of the book is also the title of the first section of the book.

Fagin address issues such as inequality which are a thorn in the flesh even in the contemporary world. Poets’ anthropologies, with audiences ranging from the young to the old, sometimes underrate women. However, Names Disguised comes in handy and makes up for this gap. She writes for all audiences. The author writes concerning hopes and believes in individual ability to influence change.

Betsy Poetry is an epitome of poetry genius and skill mastery.  Names Disguised is divided into three sections. The poems explore a myriad of themes ranging from greed, wealth madness, urbanization, buried eggplant, overconsumption and modernization. The titles of three parts are Names Disguised,  Names Assume Life and Given a Name. One thing that will strike definitely notice as you read is scarcity of names in Fagin poetry. The book simply eschews names. The agency falls on abstraction in a world of absent pronouns.

Opening the first page of the book, we enter a world that is inhabited, strange and enveloped by actions and hardly any agent. For instance, in one of the paragraphs, there is this line  “swift thanks. Thanks a lot ” There is an effect of someone cutting across a remote country and consequently makes it real again. While there are abstract tendencies and elevated tones, the poems have a critical voice driven by grit. The poems are definitely political.

The first part of the poem uses a political unrest language enveloped in a fantastic dream  just like Tristran by Gérard Cartier is an immersive dream. The writer dreams of a world where “leaves are desirous of election” and “licorice profanities fall.” you can’t help imagining that America is actually the world of forgotten castles described in the poem.

The second section of the book focuses on buildings.  Have you imagined this world without people? Where do we draw a line between people and things, objects and subjects? The poems create a sense of uncertainty about ourselves before we even get to the first line “One day will be homegoing” in poem entitled “Transition dynamics.” This section assesses built landscape. The author critiques the urban development, over-consumption and labor policies. Moreover, Fagin explicates how these three issues overlap.

The author shows how space politics apply in both the human body and the built environment.  In this series of three poems, she shed some hope. In the first part, a modern technocapital, is enshrined in a built landscape. In the third part, the author develops an alternative vision, as she does not confine her dream within the capitalist world.  She actually dares to dream outside this world. The important thing is that there is some hope even if it is ambiguous dwelling place.

The poems are a result of scrutiny of the obvious injustices and lack of equality. The poems are fairly enjoyable and well arranged. While they are not forceful, they use abstract, suggestive language. Personally, I found the single poems more fun than the long poems which were subdivided into small stanzas.

Fagin poetry depicts a public world that is openly held out in self-realization. Having read some of her past works, you can’t fail to realize that she is among the best. Betsy work is exactly what you need to read anytime. As one of the admirers of her work, I find I can admit that this proem is something that not only like but really believe in. The poems connect seamlessly as they address the current state of affairs. Fagin composes these poems with loads of intellect and sense of urgency.

Names Disguised a little book, with astounding peculiarity. It puts across an important message on modernization and urbanization. It is our responsibility and duty to ensure this development works to the interest of all humans. It might take you time to internalize it but is worth it. See this review. The book is a great read. I would recommend.

Awesome camera by Laura Goldstein Review

Laura Goldenstein provides powerful but brief poems to elaborate subjectivisation in the relational field.  I have been reading her poems and saying they are great is an understatement. She reminds me of  Names Disguised by Betsy Fagin. In this work – Awesome Camera – she uses a camera, in its steady state, to drive the point home. In its nature, the camera blends the topographical differences and presents a detailed relationship. The camera offers a form for determining and presenting existence. Consequently, it mends a field that formed but subjectivisation.

Basically, the author uses a camera as a knowledge medium that explicates a lot. The poem communicates in a way that resonates with us as humans. She uses a language that longs on its own as she presents small scenarios that have massive significance.


Awesome Camera revolves around how the media influences on our mediation as we witness strangers suffering. The camera can be compared to a high tech coffin that traps the viewer and a corpse in an agonizing attachment that only one of them can survive. A Laura book tends to be, much aware that a photographic image is the shrewd symbol of survival which thrives in death and stillness. The theme of temporary survival is no new in Laura works. In her first book, Loaded Arc, he explores floods narratives- the flood of Genesis and Hurricane of Katrina.

The history of the camera goes hand in hand with death, for example, the post mortem photography in the nineteenth century, especially of children and infants. This photography worked with silver plate photography, which has a slow exposure time. It is no wonder that photographs of living children were blurry with eyes having silver smudges and hands pale chiffon. The clarity of the image and realism of its capture were depended on how long it remained still.


The book touches on leaders and elections. As the people engage in small battles, the news pays little attention to detail but throw full focus on the source. The leaders emerge strong than ever. This means that they control newspapers, prices and security services as some people say.

Reading through Laura’s Awesome Camera, You can’t help notice a peculiar sense she paints a vivid description of distraction. It seems like she is dealing with a gargantuan number of photojournalistic images at the same. Through her rhythmic lines, she expresses what these images share.

Capturing Incidents

One or two frames out of thousands, short in any particular disaster become a substitute of cultural capital of the event. The photographs become a centerpiece of consciousness in public like a photo of a vulture hovering at the top of a Sudanese child or Diana Bryant falling in a collapsing building on fire on Marlborough Street with her granddaughter. That is awesome camera for you! The public reaction is gasps, shocks and shaking heads as these photos scope highest awards. These photos ensure that we remember the incident and development of the incident.

Most direct witness describes the incidents as “like a movie” or unreal. We can never see what has happened.  That is a reality that remains unreal to us. Arguably, we can deduce that witnessing is a struggle between what is real and mediated interpretation. The photographs portray survival fantasy that is fraught structurally. The author reminds us that although what you see is not what you get, it is what you forget and see over and over again.

Laura does a great job crafting a mind-blowing poem, Awesome Camera.  The occasion of the poem is an article published the New York Times published to commemorate the Iranian protest.  A protestor with a green bandana and raising two fingers accompanied the article.  Laura wanted to use the opportunity to reflect on how people received information and manipulated. She writes a series of poems finding different opportunities and occasions to think about how we develop political views.

To be a conscious being in this world, it is really mind-boggling to release the perception ability is constantly shifting and we are being manipulated or influenced.  Therefore the awesome camera is us and the media. In any case, the media is an extension of us.

Awesome camera is a great read. The poems are brilliantly written to help us reflect objectively more about the media and especially the image we come across in day to day life. By understanding our perception, we can understand the truth of what is happening around us.  You will love this work by Laura Goldstein.

Hillary Is Dreaming by Geneva Chao

Turn down the lights, hang on to your nightcaps — Hillary is Dreaming! Hilarious and true, or truly hilarious, this ripping, gripping dream of a book plays a fierce defense, shining an ultralight beam on the questions of the day. And night. An affair of the heart, lamentation and idyll, visions of eidos blaze. Earnest or ironic, or just plain cheeky, she’s (Hillary or Geneva?) “done being sorry.”

Norma Cole, author of Natural Light

Book with limited edition button.

2016 | $15

“Naked Ambition in a Pantsuit”

I’m not immune to shame,
or virtue, or ambition — that
curse word
that makes me a bright-eyed
bucket of
crazy, my mouth full of the
oyster juice you put there;
or some bloody-mouthed
baby eater raving
with hunger like a tidal
wave, mowing down
the hapless who flee before it,
cracking bones;
spit or swallow
is never an old question,
some things stick
in the craw, some things
are worse going up
than down. I don’t pretend
not to want more than
give me my sin again, not to
think better of my mouth
than some golden boy’s
convenient spittoon —
common folk use pop
bottles for that and it’s
just as efficient. Let us
therefore make a deal; I’ll
stash my shame in the back
pocket of these pants and
you’ll take aim
again, from behind the yellow line
this time, and all of these
prizes are ours.

“Naked Ambition in a Pantsuit” was previously featured in Boston Review.
Domestic shipping $2. For international shipping, please include a note with your Paypal invoice and await cost estimate.

Radios by Danny Snelson

Radios uses every word and punctuation mark in Ronald Johnson’s Radi Os (1977) in the endeavor to recompose John Milton’s Paradise Lost (1674). Wherever he composed the holes, I filled them in. ‘Nothing is erased, everything is lost.’”

– Danny Snelson

Danny Snelson knows of man’s first attenuation, that erasure bears non-erasure, re-erasure, unerasure, the un-whitening by a half tone, and the refillable cartridge. Such cartridge mecanique is destined by providence for serial insertion in any mechanism, from radi os “syntactic static” to radios sweet saccharine transmission and the fruit of that first orbital taste. Turn down the dial OS muse, oh solar o, o attenuation.
– Tan Lin

Danny Snelson continues to amaze me with his unprecedented ability to cut to the heart of a genre or practice — whether it’s “conceptual writing” or the epic catalogue or the archival impulse or (in this case) the ubiquitous “erasure poem.” In the process, Snelson makes major statements with his very first forays, and his interventions simultaneously critique, revitalize, and render obsolete the mode in question with a single stroke. He is a poet of apotheosis. Radios, moreover, is enticingly readable on its own terms — though those terms are themselves self-reflexively historical in their dialectic between Milton and Johnson, presence and absence, memory and speculation, parody and pastiche. Plus, if you miss the old Hanuman books that Raymond Foye and Francesco Clemente used to issue from the Chelsea Hotel in the ’80s, you’ll be delighted with the format and design.
– Craig Dworkin

2016 | $14

Far Rainbow by Ed Steck

Steck’s “wild lit up cocoon” of a poem cruises interior expanses of “this geo-asshole world.” I is always a profligate brood of aliens sailing forth on a data sea, synthesizing feeling in the poem-chamber’s triangulated infinities. Like the best sci-fi, Far Rainbow cuts right to the quick of our broke-down sense-making apparatuses, scouring the deft pockets and knock-off truth markets of “clicking rhetorical innovation” to reconstitute our daily dystopia with rare elegance, buoyancy, and clarity.

– Daniel Owen

Limited Edition | 2016 | $12

Tristran by Gérard Cartier

A retelling of the Tristan and Isolde myth through the lens of the translator, Cartier’s book is an immersive dream. The French language review in Mediapart says: “Here is a book of poems in the process of writing themselves, which is also a fictional tale, in ignorance of a defined project, subject to change encounters, different authors and versions of the legend; melding spaces and centuries as diverse as a moor or the streets of a industrial city. The poet is at the heart of this mental landscape, and is himself a character — perhaps another Tristan…”

Translated by Genève Chao.

Limited Edition | 2015 | $16 |